| | | | Cherie Westmoreland began experimenting with clay in 1996, creating handbuilt sculptures, faces, tiles, bowls, pots, and wall art for indoor and garden display (recurrent imagery includes: birds, particularly crows, vines, ferns, and fish). Her work also includes laser print photographic transfers fired onto clay In 2006, some of these pieces appeared in two publications, 500 Animals in Clay: Contemporary Expressions of the Animal Form and in Image Transfer on Clay by Paul Andrew Wandless (both published by Lark Books). | |
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